Submission Deadline: June 3, 2026

2026 Concrete Masonry Competition

Welcome Center

Schedule

April 8, 2026

Registration Deadline

June 3, 2026

Submission Deadline

Summer 2026

Jury Convenes

Fall 2026

Winners Announced

Winners of the 2026 Concrete Masonry Competition

The Concrete Masonry & Hardscapes Association (CMHA) and the Association of Collegiate Schools of Architecture (ACSA) are pleased to announce the winners of the 2026 Concrete Masonry Student Competition. The competition recognizes seven outstanding projects that utilize concrete masonry products as the primary material to reimagine a Welcome Center of tomorrow, with an emphasis on rethinking the future of travel.

1ST PLACE

Linked Assembly

Students: Kesaia Williams, Lauren Chacon & Hartwell Brann
Faculty Sponsor: Andrea Alberto Dutto
Institution: University of Idaho

Juror Comments
Linked Assembly presents a thoughtful use of concrete masonry, making it the primary structural element and creating a cohesive architectural expression. The shifted masonry walls and pilasters successfully break down the building’s scale, giving the composition a collection of interconnected buildings rather than a single large mass. The openness of the design and strong relationship between interior and exterior spaces create an inviting civic destination that responds well to the surrounding landscape.

Project Description

Linked Assembly is a welcome center in Sandpoint, Idaho, a small town that draws visitors year-round thanks to the outdoor recreation offered by the surrounding mountains and Lake Pend Oreille. The building sits directly on Sandpoint City Beach, with immediate access to the water and to Idaho’s only Amtrak station. It serves a dual purpose — a destination for tourists and a gathering place for residents, who can make use of community resources such as a local café and a shared garden.

The design takes its cue from the logic of masonry. The building emerges from the assembly of units that share a single structural theme: a central double-wythe CMU wall ringed by program spaces. These units are joined by shifting each one against the next, so that in plan the arrangement recalls the staggered stacking of masonry units within a wall. The economy of this idea yields a series of courtyards that multiply the range of inside/outside interactions and maximize the building’s connection to the surrounding landscape.

The profiled exterior wall expresses structural robustness in keeping with the logic of masonry construction. Full-height pilasters framing tall openings capped by lintels recur across every unit of the assembly, which distinguish themselves only through changes in height that register their program. The result is a coherent reading of the whole, enriched by the shifting play of light and shadow that helps settle the building into its context

2ND PLACE

River Futures Museum

Student: Poldo Drilon
Faculty Sponsor: Marcos Severino
Institution: University of Massachusetts Amherst

Juror Comments
River Futures Museum is a compelling architectural vision with a clear civic presence. The juxtaposition of concrete masonry and wood creates a warm, engaging material palette that enhances the overall architectural design. The students designed an architectural project with beautiful renderings and great massing of the concrete masonry units to create a sense of place. The sequence of public spaces and circulation paths offers an immersive experience, allowing visitors to engage with the design’s water filtration system.

Project Description

The River Futures Museum is an interactive educational-recreational center for water filtration. Featuring a “science aquarium” showcasing natural H2O filtration processes, this welcome center aims to be a stepping stone in Downtown Orange’s masterplan, which emphasizes river cleanup and water-based recreation. Through a series of choreographed spaces, visitors follow the flow of the river as it goes through physical, chemical, & biological filtration. Rewarding the visitor, the fruits of science come to life in the water recreation area, hosting seaside resting spaces, and watersport rentals with direct dock-access.

3RD PLACE

Puerta De Pilsen

Students: Ben Kanwischer, Jake Pulciani & Beatriz Mata
Faculty Sponsors: Patricia Saldaña Natke & Soumya Dasgupta
Institution: University of Illinois, Urbana-Champaign

Juror Comments
Puerta De Pilsen demonstrates an innovative use of concrete masonry through a creation of a custom structural block that produces a distinctive architectural identity. The unique masonry pattern evokes the softness of woven textiles while showcasing the expressive potential of a rigid material. The open concrete block system produces beautiful light and shadow effects that enrich the building’s civic presence and spatial experience.

Project Description

Puerta de Pilsen is a civic landmark shaped by the principles of weave, flare, and coda—interweaving the neighborhood’s rich cultural identity, opening outward to welcome residents and visitors, and creating spaces that encourage reflection, celebration, and cultural continuity. Rather than serving as a traditional welcome center, the project reimagines the gateway to Pilsen as a dynamic, community-centered destination that supports gathering, learning, and meaningful social interaction.

The design celebrates the neighborhood’s history while embracing its future, fostering a strong sense of belonging through flexible public spaces that accommodate cultural events, local organizations, and everyday community life. By strengthening connections between people, place, and culture, Puerta de Pilsen becomes more than an architectural landmark; it is a living civic space that promotes exchange, inclusivity, and an evolving neighborhood identity rooted in the values and voices of the Pilsen community.

HONORABLE MENTION

The Orbit Center

Student: Smriti Rijal
Faculty Sponsor: Katelyn Hudson
Institution: University of Massachusetts Amherst

Juror Comments
The Orbit Center is a visually engaging design that has a dynamic architectural form which reinforces the themes of movement and connection. The combination of expansive glass and gracefully curved spaces creates an elegant expression that responds well to the waterfront setting.

Project Description

The Orbit Welcome Center is inspired by movement, water, and connection. Its curved form is based on railway tracks, creating smooth pathways that guide visitors through the building. The name “Orbit” reflects the idea of people coming together around a central place.

The building’s shape and facade are influenced by the river next to the site. A nautical design theme gives the building the appearance of a modern ship, using rounded edges, porthole windows, and layered forms.

The design also responds to the environment. The roof collects rainwater and directs it to the outdoor garden. The children’s play area is protected by the surrounding landscape, creating a safe outdoor space. To reduce flood risk, the second floor is elevated on pilotis, allowing water to pass beneath the building during heavy storms.

Overall, The Orbit creates a welcoming space that connects visitors to the site’s history, waterfront setting, and natural environment.

HONORABLE MENTION

Barcelona Welcome Center

Students: Patrick Rogers & Landon Cooper
Faculty Sponsor: Genevieve Baudoin
Institution: Kansas State University

Juror Comments
Barcelona Welcome Center presents a thoughtful use of white concrete masonry, creating a refined material expression that blends seamlessly with the surrounding context. The front rendering is particularly striking, establishing a memorable community presence and reinforcing the design’s connection to Barcelona’s cultural identity.

Project Description

This project, situated in front of the Museu Nacional d’Art de Catalunya on Montjuïc, serves as a welcome center that choreographs a visitor’s ascent while celebrating Barcelona’s identity and vibrant community life. Unlike the site’s perfectly symmetrical axis and the formal boulevard leading to it, the project deliberately offsets from rigid alignment. This move can be equated as a call back to the tensions between the planned Cerda Block grid of Barcelona, and the organically historic fabric of Barcelona’s neighborhoods, a true homage between monumental order, and improvised plazas, markets, and festivals. In addition, by falling away from the rigid axis, the design offers moments of gathering and reflection that feel authentic to the city’s culture of spontaneity, resilience, and diversity.

Along the way, plazas, gardens, and play areas encourage social interaction, culminating at the top terrace: a symbolic crown where symmetry is realized. Reflected in the skin of the buildings themselves is a call back to Catalonian culture. The brickwork design creates a sense of playful, artistic nature that is found within the likes of Catalonian architects such as Josep Puig, Antoni Gaudi, Manuel Sayrach, and other great architects of their beautiful city. The brickwork designed respects the rigid nature of the concrete masonry units, and in turn grants it a sense of fluidity, dynamism, and even softness through a series of push/pull methods and the use of algae based concrete/cement mix. Ultimately, the Welcome Center is more than a gateway to Montjuïc, it is a civic gesture embodying Barcelona’s collective spirit, balancing order and play, history, and community life.

HONORABLE MENTION

Marfa Welcome Center: Gateway to the Desert and the Night Sky

Student: Luis Rodriguez
Faculty Sponsor: Nichole Wiedemann
Institution: University of Texas at Austin

Juror Comments
Marfa Welcome Center: Gateway to the Desert and the Night Sky establishes a compelling civic landmark with a striking entrance that creates a strong sense of arrival. The patterned concrete masonry screens produce beautiful light and shadow effects, enriching both the building’s architectural character and the visitor experience.

Project Description

The Marfa Welcome Center is a place where travelers can stop, rest, and learn about Marfa and the surrounding region. Located along the highway, just five minutes from Marfa, this project transforms the traditional roadside rest stop into a destination that connects visitors with the landscape, culture, art, and night sky of West Texas. The goal is not only to offer a place to rest but also to create a destination that invites visitors to discover what makes Marfa unique.

The project is organized as a monolithic cubic form that emerges from the desert as a recognizable landmark. Visible from a distance, the building signals arrival and encourages visitors to pause, explore, and engage with Marfa. Inside, the project combines rest area amenities with gathering spaces, a cafe and restaurant, and areas dedicated to art. These spaces are intended to be used by both travelers and local residents, creating opportunities for people to meet, spend time together, and experience the community.

The cafe and restaurant level is located below the main floor. Rather than feeling enclosed, it opens directly to the exterior through a sloped landscape that was designed as part of the project. This creates access to daylight, outdoor seating areas, and views of the desert while maintaining a strong connection to the site.

CMU breeze block walls are used along the side facades to create shaded walkways around the building. These walls systems help filter sunlight, improve comfort, and create changing shadow patterns throughout the day. Additionally, from the program, the rooftop also includes an observatory where visitors can experience Marfa’s dark skies and learn more about the region’s relationship with the night sky.

Together, these elements create a place that welcomes visitors while connecting them to the landscape, culture, and atmosphere of Marfa.

HONORABLE MENTION

Bumble Blocks

Students: Caytlin Yii & Angela Zou
Faculty Sponsor: Erika Zekos
Institution: University of Massachusetts Amherst

Juror Comments
Bumble Blocks uses a unique application of concrete masonry through the use of distinctive hexagonal CMU blocks, creating a memorable form inspired by the geometry of a beehive. Concrete masonry is integrated throughout the design as both the primary structural system and a defining architectural expression.

Project Description

Located along the Mystic River waterfront, this community center, Bumble Blocks, creates a destination for environmental education, cultural engagement, and everyday social interaction. The design responds to the site’s vulnerability to sea level rise through a resilient architectural strategy that utilizes concrete masonry as both a durable structural system and a defining architectural expression.

Inspired by the geometry and collective behavior of bees, the building is organized on a hexagonal grid. CMU columns define the corners of each hexagon, creating a structural framework that references the organization of a honeycomb. Studies of bee movement informed the circulation strategy, generating pathways that weave between the building volumes and connect visitors to the waterfront. This relationship between structured geometry and fluid movement guides the overall design.

The project is composed of a series of masonry volumes extending along an axis from land to water. These solid blocks contain classrooms, workshops, gathering spaces, and community amenities, while transparent circulation zones create visual connections to the river and encourage social interaction. The contrast between the permanence of concrete masonry and the openness of glazed circulation spaces reflects the balance between stability and movement found within natural ecosystems.

Environmental stewardship is integrated through educational programming, pollinator-supporting landscapes, and community initiatives that promote awareness of local ecology. A public café featuring locally sourced products further connects visitors to regional environmental systems and sustainable practices.

By combining resilient construction, ecological awareness, and community-focused programming, the project demonstrates how concrete masonry can support both environmental adaptation and civic engagement, creating a welcoming public space that strengthens connections between people, nature, and the riverfront.

Jury

The jury for the 2026 Concrete Masonry Competition includes:

Damon Bolhassani
City College of New York

Jenny Tanner Eisenhauer
University of Wyoming

Cory Hupp
Lee Building Products

Participating Schools

The competition had over 300 participants from the following schools:

Academy of Art University, Ball State University, Central Piedmont Community College, City College of New York, Cuesta College, Glendale Community College, Harvard University, Indiana University, Kansas State University, Keene State College, North Carolina State University, Pasadena City College, Savannah College of Art and Design, Southern Illinois University, Temple University, Texas Tech University, Tulane University, Tuskegee University, Universidad Anáhuac México, Universidad De Puerto Rico, University of Calgary, University of Hawaii at Manoa, University of Idaho, University of Illinois, Urbana-Champaign, University of Massachusetts Amherst, University of Memphis, University of Nevada, Las Vegas, University of North Carolina at Charlotte, University of Texas at Arlington, University of Texas at Austin, University of Toronto

Competition Organizers & Sponsors

Edwin Hernández-Ventura
Awards and Competitions Manager
ehernandez@acsa-arch.org
202.785.2324

Eric W. Ellis
Senior Director of Operations and Programs
eellis@acsa-arch.org
202-785-2324